Friday, May 12, 2006

Okay...next steps. Probably in no particular order. Notes to self:

1. Figure out what's going on between the aunt and Stillwater. They both have supernatural abilities, but Stillwater's are limited when compared to hers. He has no idea who she is or why she thinks he's a threat. Does she think he's a threat? Don't know yet. Gotta write and find out. Avoiding movie clichés at all times. No need for my Netflix addiction to start making people's skin all tell-tale shiny.

2. Give Stillwater and Parker some information-gathering time in Kansas. Maybe not venturing them outside the house, though. I don't know shit about Kansas and I'm not trying to make anything up.* But surely Kansas has restaurants and parks and people. I can make up the details about those generalities.

3. Leaving Kansas, they are heading to Castle Rock, South Dakota. That should be fun, mapping the route between two places I've only flown over by plane. This really makes me appreciate James Michener. That dude was amazing. Hawaii took four years to prepare, then he wrote it in three. And he wasn't searching the Internet looking up facts on Hawaii, entering various islands into Mapquest for four years. He was there, researching first hand.

4. Remember that I'm not James Michener and that this is a short story. Map the route, grow the characters. Introduce Freddie Mercury and Tim Woodman (and change that name) at a couple of intervals along the way. Get them all to Castle Rock together to meet Parker's father English Osbourn.

5. Load the dishwasher and bring the cat back inside from the balcony. Oops. Wrong to-do list.



*Yes, yes, that may sound lazy. I am making things up. The story is a made-up story. I like making things up. I'm only saying that I don't want to say things like "We partied on Main Street" when, in fact, Kansas City partiers and readers would roll their eyes at that sentence since, as they all know, Main Street holds only the courthouse and police station and the jail. Primary goal: leave as little room for factual inaccuracy as possible by saying, simply, we partied. If the party becomes integral to the story, fill in the necessary details.Or move the party to the planet Guarkbinaeh and be done with it.
This is all the frags from this week posted as one large fragment. I need to get a handle on it all. The way I used to do that in my sketch book journal was to write out each fragment by hand until I had the composite. I would write the composite over and over until I was able to stop editing as I wrote. I would always find something to change or something to improve while re-writing. In this digital journal, I'm cutting and pasting. My re-write process has now become less intimate, less intricate. I'm feeling a little distanced from the characters. But I'd like to adjust properly and get it done this way. Just something else to get used to doing well.

Sorry about the huge entry running down the middle. I just refuse to get bogged down by HTML codes another day. I'll be rescued from my ignorance soon enough.

The beginning of this fragment is in this archived post.

I am completely unused to actually having to listen to someone’s life story. I am nearly always faking it in one way or another and, here with Parker over super nachos and pitchers of margaritas, I don’t know when to laugh or when to hang myself by stringing together strips of my napkin and jumping off the balcony we’re sitting on so intimately. Are people always this detailed? And, I hate to say: boring? How many times can you tell the story of visiting your grandparents for the summer and in how many ways? I’m highly interested, though, in this girl and her habit of sitting no more than three millimeters away from me as she’s talking and animating herself into spastics. She’s sexy as hell and, honest to God, I’m trying to remember if pancakes Mom has ever displayed a written objection to her tenants fucking their new best friends in their single-bed, one-window bedrooms.

Then, I get it: Parker is making up half her shit she’s been telling me tonight. I know this because usually halfway through people’s stories, I can plunge in and surf the waves with them. With Parker, I was getting nowhere until I began to understand what she’s doing, which is lying to me.

I put aside, only temporarily, I assure you, any thoughts of taking her home with me and I take her hand until she stops talking (five long and crazy minutes). Leaning over, into her ear I whisper to her how much I really like her. She’s quiet, perfectly quiet, resisting the urge to dismiss me frivolously. I don’t say much else as our fingers interlock and I know it’s killing her to keep silent. I’m thrilled that she knows how to follow her instincts. Kisses almost imperceptible, I come to rest against her forehead with mine and ask her if she wants to start over from the beginning. Tell everything, but tell, this time, only truth.

Tomorrow was her subdued request. We were both tired and that word was the most reasonable she’d said all day. We managed to sneak Ferocious B into the cool cat place, and I made a bed for him out of blankets on the floor of my room. We were free of all awkward and unsure moments as I slipped into my own bed and slept next to her, holding on, for the first time.

“So where is she?” playfully demands Ellery as he meets me at the shop the next morning. “Out shopping for curtains?”

“Where’s who, old man?” I laughed.

“Boy, you think you’re the only one around here who knows all the gossip? You left last night with her. A customer. Big no-no that I guess I forgot to cover, but under the circumstances with her having nowhere else to go, I understand. Before you ask how I know that about her, I even know how much you tipped at the bar for your margaritas, so...”

Embarrassed, I interrupted Ellery that I got it, he knew everything. Ferocious B was in Mom’s kitchen earlier this morning eating what appeared to be a chopped steak breakfast. Asleep, Parker and I never heard his scratching at the door to be let out, but Mom sure did. When I left for work, the dog was drooling behind the front desk, keeping cool cat gramps company. Parker, to answer Ellery’s question, was in the kitchen, cleaning and talking Mom toward the brink.

“What are you doing here, anyway?” It’s been a long time since we were in the store together, and I’m suspicious. Indentured slaves can’t be fired, can they?

“I was just about to ask you the same thing,” was Ellery’s answer. “You’re here when I’m paying you and you’re here when I’m not. Not quite sure why you hang out with old men like me, but, for a while, you can get along without me. Take a week or two off. It’s called a vacation. Use it to figure out what you’re gonna do with that girl.”

Why do I need a week for that? Why two weeks? I left, though, before Ellery could ban me from the shop for three. But not before I told him I loved him like he was my own father. “Don’t replace me while I’m gone,” I prayed to him and to whomever else could be listening.

He promised that I was irreplaceable and I had no choice but to believe him.

Her first question to me was a legitimate one. If she doesn’t know what she’s missing, how will she know where to look for it? Whatever the fuck it is, Parker added in frustration. Two days she’s known me and already uses fuck 300 times a day. Some people are absorbent that way.

I tell her that she found Ellery’s shop without knowing the shop even existed. So continuing to follow her intuition should work in the beginning. I remind her that if she reveals herself to me honestly, I should be a pretty good help. Sometimes I know right away, sometimes it takes longer.

Why do you even want to help me? was her next question.

Self-pity and insecurity won’t get us anywhere was my answer.

“My father,” says Parker, pretending she hadn’t asked that question so she could ignore me. “This has something to do with him.”

“Are you being cliché? If I had a finger for every time somebody pulled his father out of his fucked up life's butt…”

“Shut up, Stillwater,” she laughed. “Just because your daddy never looked back and you’re now so—unaffected—”

“Oh, now you’re being ironic. And with jokes.”

“I think whatever I need is in his possession. Is that a better way to put it?”

“Well, let’s go get it, then.”

“Let’s do it.” She hops up and runs outside the cool cat place to her behemoth parked on the street. I grab Ferocious B from the fenced-in yard and get him excited about climbing into the back. We’d been packed for several hours while trying to figure out our next step. And now we had it. Maybe. “Just gotta find him first,” admitted Parker as she turns the ignition key.

Parker is one of those people who thinks silence in a conversation is a sign of personal weakness, but, three hours in, she’s been unusually quiet while driving, and I haven’t said much to her to change that. We stop at a convenience store for peeing and fueling and walking Ferocious B, and I volunteer to drive for the next couple of hours. She tosses me the keys, I get in behind the wheel and say something like this: so how do you start this thing?

She looks at me. Twice, I think. And supports her head in a hand with an elbow digging into her thigh. Again with the half amused, half are you kidding me eyebrow trick: “Do you know how to drive, Stillwater?”

“I’ve seen it done.”

“Before today?”

Maybe. Because who really knows?

Locking her seatbelt, twice, I think, the lesson begins. The road is hilly, but there are no major curves and, unless you count the parade of cars passing me on the left, we have the two-lane highway to ourselves. I can’t lie and say I took over the trip and let Parker sleep the rest of the way, but I did get us to Oklahoma. Better truth: I kept us pointed toward Oklahoma and didn’t get us lost or turned around. I hit nothing on the way. Our next stop, Parker asks for the keys.

We pulled into her aunt’s driveway around eleven, midnight, whenever—about two hours off-schedule due to my old man’s afternoon crawl along the interstate. No need for a quiet entry from the dark of night: every light in the house seemed to be on. We went in through the kitchen, Parker’s knock being more of a gentle announcer than of one seeking permission.

Standing at the sink with her back facing us, a tall and very old woman with long silver hair tied with colored scarves barely turned in our direction before saying:

Stillwater Strother Crowe.

The woman said my full name as though she’d been expecting me all her life. In her kitchen. In fucking Kansas City, Kansas. Fully facing me now, she leaned against the countertop and folded her arms in some sort of defiant, throw down challenge. I stood immobile, knowing not what to say or think.

Thursday, May 11, 2006

Writing myself into a corner...

We pulled into her aunt’s driveway around eleven, midnight, whenever—about two hours off-schedule due to my old man’s afternoon crawl along the interstate. No need for a quiet entry from the dark of night: every light in the house seemed to be on. We went in through the kitchen, Parker’s knock being more of a gentle announcer than of one seeking permission.

Standing at the sink with her back facing us, a tall and very old woman with long silver hair tied with colored scarves barely turned in our direction before saying:

Stillwater Strother Crowe.

The woman said my full name as though she’d been expecting me all her life. In her kitchen. In fucking Kansas City, Kansas. Fully facing me now, she leaned against the countertop and folded her arms in some sort of defiant, throw down challenge. I stood immobile, knowing not what to say or think.

I ran across a blog called shitty first draft yesterday. There was a quote by writer Anne Lamott saying that everybody has shitty first drafts...that's how you get to the good second, third and fourth drafts.

I lifted from 43 Folders an excerpt from Lamott's Bird by Bird: Some Instructions on Writing and Life:

"For me and most of the other writers I know, writing is not rapturous. In fact, the only way I can get anything written at all is to write really, really shitty first drafts.

"The first draft is the child’s draft, where you let it all pour out and then let it romp all over the place, knowing that no one is going to see it and that you can shape it later. You just let this childlike part of you channel whatever voices and visions come through and onto the page. If one of the characters wants to say, “Well, so what, Mr. Poopy Pants?,” you let her. No one is going to see it. If the kid wants to get into really sentimental, weepy, emotional territory, you let him. Just get it all down on paper, because there may be something great in those six crazy pages that you would never have gotten to by more rational, grown-up means. There may be something in the very last line of the very last paragraph on page six that you just love, that is so beautiful or wild that you now know what you’re supposed to be writing about, more or less, or in what direction you might go — but there was no way to get to this without first getting through the first five and a half pages."


I love that line about how no one is going to see my Mr. Poopy Pants line. Not exactly true for me since I'm posting as I'm writing. It goes something like this: think, write, post. Trying to get it all down, but my shitty first draft is available for anyone who chooses to read it. But I'm writing it and that's the important part. Getting it down. No matter what.

Going against my life long habits, in this space, I am unafraid for people to see my mistakes. But, wait, not spelling errors, though. Or typos. I may have a prepositional phrase or subjunctive clause issue here or there, but for the most part, my shitty first draft should be free from clerical malevolence. I don't think I'm any more anal about that than any other writer.

Wednesday, May 10, 2006

Lots of phone calls and mental interruptions today. Also, I've changed from Maroon 5 back to Morcheeba. I tried Marvin Gaye and Tammi Terrell yesterday and that was a disaster. Not sure why. I just couldn't write to it.

Parker is one of those people who thinks silence in a conversation is a sign of personal weakness, but, three hours in, she’s been unusually quiet while driving, and I haven’t said much to her to change that. We stop at a convenience store for peeing and fueling and walking Ferocious B, and I volunteer to drive for the next couple of hours. She tosses me the keys, I get in behind the wheel and say something like this: so how do you start this thing?

She looks at me. Twice, I think. And supports her head in a hand with an elbow digging into her thigh. Again with the half amused, half are you kidding me eyebrow trick: “Do you know how to drive, Stillwater?”

“I’ve seen it done.”

“Before today?”

Maybe. Because who really knows?

Locking her seatbelt, twice, I think, the lesson begins. The road is hilly, but there are no major curves and, unless you count the parade of cars passing me on the left, we have the two-lane highway to ourselves. I can’t lie and say I took over the trip and let Parker sleep the rest of the way, but I did get us to Oklahoma. Better truth: I kept us pointed toward Oklahoma and didn’t get us lost or turned around. I hit nothing on the way. Our next stop, Parker asks for the keys.

Tuesday, May 09, 2006

Please visit with Bookslut and read this interview with A.M. Homes. I have no idea how to ask you to do such a thing. I am not a literature resource--we've had that discussion. This space is, like, me and you time, and I'm sending you away. But only for a moment. Please indulge me. Then come back. Don't make my abandonment issues come looking for you.
Speaking of college...

It occurs to me now that, back then, I had a good shot of becoming a TV writer/TV writer's intern for the Lifetime Channel. My stories were always centered on characters who were perfect and beautiful, hooked up with someone perfectly beautiful, and dying of some exotic cause. But I instead held out for high art and here I am: a worker drone by day and a drunk [ed: Mom, not really. Everybody else, yes, really] blogger at night and on the weekend trying to pull a three year old narrative out of my tired butt. How the mighty have fallen.

This is much better than a time capsule. I can see children fifty years from now reading the cached version of this blog on Google and being, practically, first-hand witnesses to my swift descent into madness and insanity.

Are madness and insanity the same thing? Am I being redundant? I'd better go look that up...
Not getting too bogged down in details in the first draft. That's what subsequent drafts are for, I've learned. I have no idea where these people live. Naming the city would prompt a need for research. I don't mind researching, but then the story doesn't get written. So I'm leaving clues in the first draft narrative telling me where one character may live in relation to another character. I can fill in the gaps later.

When I was in college, I wrote a story with the main character having leukemia. I learned more about the disease in the medical library than a med student, I think. All my learnin' was summed up in the one scene in which the doctor explained to the character's boyfriend about her chances of remission or something like that. Which, I don't know, may be negligible for certain types. I barely remember the story, only the research, and I doubt if I finished it.

So it's been my evermore habit to get the words down, finish telling the story, then fill in the details of the things I know very little about. No more characters with cancer, that's for sure.

Did you know that Kansas City, Kansas, is very near the center of the contiguous United States? And that Castle Rock, South Dakota, is nearest the center of all 50 states? I found that out today while figuring out where in the world are Stillwater and Parker driving in my current frag. Looks like they are headed to Kansas City. I heard there's some good barbeque there. But, I am from Texas--home of the beef chicken wing--so I doubt it's as good as people say.

Monday, May 08, 2006

A mini-frag.

Parker has an aunt, one of her mother’s four sisters, who lives about 500 miles north. I’m digging that in the days of almost instant transport, we are driving there. Unannounced. Like in the days before the telephone and shit. Parker insists this is the way of her family. No need to call first and be invited or anything. And, hey, if you drive for ten hours and you get there and this woman happens to be on a cruise off the coast of New Zealand for the next three weeks, then, hell, we’ll just visit someone else who may or may not have the information we just drove ten hours to get. I’m not sure why her family works this way or, more to the point, why Parker thinks her family works this way, but I’m a passenger in a luxury vehicle being driven by a beautiful human being and I’m along for almost any ride she’s navigating. Just so we’re clear: my family? Call first and we still won’t be home when you get there. We’re fucked up in that way.

Argh. Disregard Sunday's post. My workaround solution was no solution at all (as is 99% of all workaround solutions). My personal advisor advised me to put it back the way it was with the story frags staying on the main page available for everyone to see and enjoy. Okay, he didn't say it exactly that way, but that's how I choose to interpret it. My laundry went undone this weekend for no valid reason since I skipped that chore to mess with my HTML codes. I wasn't planning on doing laundry anyway, but I was planning on having a legitimate reason for not doing it, and now I am without one. But I totally appreciate the input. Input=good. Staying quiet and letting friends f- up their blogs=not good.

Why do I have this journal, again? Oh, yeah...I'm supposed to be writing.

For the millions who didn't visit this space over the weekend and who, I freely admit, still don't know I exist, nothing changed for you in the confusion. Carry on...

Sunday, May 07, 2006

[Update: Ignore this post.]

Doing a little blog reorganization today. Instead of reading the entire fragment on the main page, you can now click on a hyperlink that will send you to a particular frag, or you can use the "extended fragment here" link next to the date at the bottom of each post. Sometimes, there is no extended fragment, but I've placed hyperlinks in the post text for posts that have one. I'm still working around my limited knowledge of HTML, so this is more of a workaround solution than the actual solution, but, for now, this solves the problem of having huge story fragments taking up space on the main page. For those who don't read the backs of cereal boxes or the contraindications of their prescription and over-the-counter meds, this should be a more digestible way of visiting the story and the site.

Still taking suggestions, but this is good for today. I'll reorganize the archives when I get around to them.